DJ Dresden and Goa Pete Live Guestmix from Goa Trance Mission

This week we have two very special guests playing live in the studio! DJ Dresden and Goa Pete are the lead organizers behind Goa Trance Mission, a local Vancouver group that have been bringing some amazing psytrance DJs into Vancouver for both indoor and outdoor parties.

Their next show is on Dec 1st at W2 in downtown Vancouver, when they will be bringing Avalon over from the UK for a live performance.

DJ Dresden Psychedelic Trance Mix

(I think Dresden mentions several of the tracks he played at the half time break)

Goa Pete Forest Psy-trance Mix

(Pete’s tracklist is super-secret) ;)

After Pete’s set I played a few more tracks…

DJ Interview with Ru-Bix vs Jester

Every now and then I come across a DJ (or pair of DJs) that is (or are) a perfect match for my musical taste, and it’s beyond fantastic because they introduce me to a whole new set of artists and tracks that are instant favourites. Ru-Bix vs Jester is (are) exactly like that. If I recall correct (and likely I don’t), first contact was made when they submitted a mix to the Trancendance Soundcloud group. Now we’re in touch via Facebook at least once a week.

djsm: So… Multiple personalities? Or is Ru-Bix vs Jester more than one person?

jester: We’re brothers… Emmett & Jesse Andersen from Blenheim, New Zealand.

djsm: How did you get your DJ names?

jester: Well a promoter friend and mentor of ours (FLUX, founder of the famous Gathering parties here in NZ) wanted to put on a free outdoor party and asked us to play. Emmett and I were very green, we’d done a few private parties, hung out with some DJ mates etc, but that was about it until then. Basically, we were asked what our DJ names were to put on the flyers. I had a think about it… I was well into the whole Twisted Records/Dragonfly type stuff, so guys like Dick Trevor were an influence. Dick Trevor’s handle is “Dickster” so Jester was an easy choice. Ru-Bix was the result of an extensive brainstrorming session.

djsm: When did you start DJing?

jester: Before, it never crossed my mind to be a DJ, I just liked playing video games and getting elo boosting services from ElitistGaming. Both of us have been messing around since around 2004-2005, Emmett for a bit longer. I’ve been listening to electronica & trance since around ’93 but it took me 10 years or so to take the next logical steps. I decided to go the digital route as by that time most of my tunes had already been ripped to digital, so for me it just made sense. Our first official gig together as Ru-Bix vs Jester was early 2008. So, yeah… its been a few years now. 2008 was also when we took things a bit more seriously and started investing in some gear.

djsm: Speaking of gear… what kind of equipment do you mix on?

jester: We have a Pioneer DJM600 Mixer and CDJ800mkI decks, a Denon DNX1600 Mixer, and Native Instruments Traktor Scratch Pro with Kontrol X1 Controllers. We’ve also been playing around with the new DJ Techtools Midifighter 3D Controller. Headphones of choice are Sennheiser HD-215/205, and then rounding things out, an Audio 6 Interface, Dynamic M-58 Microphone, Wharfedale Pro 15″ Active Speakers, and B&W 10″ Sub. As well as all these toys, we have access to a lot more “communal” gear as well. Then more speakers, lighting rigs, that sort of thing.

djsm: What about before you got serious? Did you dive right in? Or what did you get started on?

jester: Emmett learned a little on the turtables, and moved to the CDJ’s soon after that. I was already messing about with FL Studio (Fruity Loops back then) so learned on Imageline’s Deckadance software with my famous “Psyboard” & Mighty Mouse.

djsm: Sounds like psytrance was a pretty big influence then, and it’s certainly what drew me to your mixes at first. Have you explored any other styles?

jester: What do you want to hear? Obviously we both love playing progressive/psytrance and thats not going to change anytime soon, but we can play anything “From House Up”. Emmett plays a bit of drum & bass as well and has actually opened for the Upbeats. Most nights we start off with the house and work the energy up as the night progresses. Definitely we try to sneak in some banging trance at our gigs.

djsm: Do you find that promotors ask or dictate what styles they want or don’t want you to play? Or do they mainly leave it up to you?

jester: Yeah we really only do parties that suit us. We can play a variety of styles but just don’t ask us to play a dubstep gig :)

djsm: Lol! What about production? I haven’t been able to find anything official, but have you put together any bootleg remixes, or mashups?

jester: Like many, we mess around a bit. Nothing good enough to upload. Not enough hours in the day!

djsm: What software have you been using when you’re “messing around a bit?”

jester: I have the odd project on the go in FL 10… who knows when they’ll get finished. We use Audition for mastering mixes.

djsm: Do you guys have most memorable DJ moment?

jester: I think when we played last year at an outdoor party called “Twisted Freaks” …together in a back 2 back set.  As our set progressed the crowd just grew and grew until it was massive. It was a great moment for us.

djsm: Caddyshack and I are big fans of the oldschool… What’s your favourite classic/oldschool track?

jester: Well mine is obvious, “People Can Fly” by Astral Projection. Emmett’s is “Thugs In Tye Dye” by Hallucinogen. He has that on vinyl as well.

djsm: Ahh! Hallucinogen! I have The Lone Deranger album on vinyl, along with a couple of their EPs. Ever listen to Cosmosis? Their Cosmology album from around the same era was another favourite of mine. It was one of Transient Records earlier releases. Several years later they released an album titled Trancendance… ;)

jester: Love that album. “Sanyacid” and “Gift Of The Gods” … fantastic.

djsm: So is that the kind of stuff that got you interested in DJing? What else where you listening to around that time?

jester: Astral Projection and old Infected Mushroom were what got us into the psytrance thing. Label-wise… Trust In Trance, Matsuri Productions, Twisted, Dragonfly, TIP, Flying Rhino. All the old stuff.

djsm: What about now? Which ones are on your watch list?

jester: Iboga Trance, Iono Music, Yellow Sunshine Explosion, Synergetic, Tesseract, Suntrip, Ovnimoon, Plusquam, Echoes, Nano, HOMmega, Timecode .. The list is big.

djsm: Hmm… several familiars, but a few new ones in there. Looks like I’m going to have to check out Synergetic and Suntrip. What’s your current fave track?

jester: That’s always a hard question! At the moment mine would be Dickster’s “Dizzy Drops – Sonic Species Remix.” Emmett’s is “Express” by Hiyarant.

djsm: Has that changed since I first asked you the question almost two months ago, maybe more? *hangs head in shame at how long it’s taken to post this interview*

jester: Well to be honest my favourite tracks are usually in my latest mix, so to answer your question, yes that has changed. My current favourite is John ’00′ Fleming’s “The 10th life (Artifact303 Remix)” and thats in the new set i’m working on.

djsm: So where can I come and hear you play if I happen to be down in New Zealand?

jester: We have some semi-regular house gigs in town, where we usually team up and play with some buddies. We are in a small town so bigger parties are harder to organise getting to. Two festivals we are looking into playing are the Twisted Freaks party, again in October, and we have been invited to play at Alien Nation next year (NZ’s premiere Psy festival). We couldn’t play there this year due to Ru-Bix getting married.

djsm: Married!? Wow… that’s like a whole ‘nother interview! Where can we find you online?

jester: We have a Facebook page, a Soundcloud page and Soundcloud group, and also a podcast. I work for as a moderator on the forum (my handle is

djsm: Tell me a bit more about DJ Tech Tools…

jester: Well i discovered in 2008 after purchasing my first midi controller and having no clue how to map it. I lurked on the forum for a while before joining the community in 2009. I was promoted to moderator in 2011.

djsm: Is that a full time gig? Between DJTT and DJing, is it enough to pay the bills?

jester: If they paid me that would be sweet but its on a voluntary basis. We do get some good deals from the store though. The site has exploded in the last 3 years and i believe the forum has over 80,000 members now. Recently we have added a production section, Ableton and Serato forums.

djsm: Do you have anything else that you would like to be asked about or that readers/listeners might find interesting?

jester: Well I’d like to say thanks for the shouts and for playing our stuff on CiTR, its a great honour, and for sure its helped us out. We are involved with a few stations now, and that really helps with the motivation to step it up and put up some great mixes. To the young up and coming DJs… buy your tunes. Producers have to eat too! Go to shows and experience as much good music as possible guys. Boom Shiva!

Sequencial Circus 11 Was Awesome

Photo by Euan Forrester

As I turned off Main onto East 1st the memories started trickling back, those times where I used to sleep with a pregnancy pillow amazon. It was a dark and quiet street. An industrial area, not far outside of downtown Vancouver – it was a bit like the old days, before the cops had cracked down on the illegal warehouse raves. But those memories were so distant at this point, it wasn’t more than a fleeting thought that I would only later recognize the significance of.

It was still pretty early when I arrived. Scott Riesterer was on stage, layering live muted trumpet overtop of weaving landscape of housey beats and melodies. It was a unique sound, and knowing Scott, I was immediately interested in hearing him play.

Everyone was playing live, so the night progressed quickly from artist to artist. PhonoTactic from Calgary was up next. His style was still different than what I would typically play, in fact, I’m not even sure how you would classify it. So far, Ableton had been the tool of choice for the evening, but PhonoTactic had a Chaos Pad running in tandem, and kept using it to add on-the-fly scratching effects that immediately left me wanting new gear. While his set sounded fresh and funky, many of his sounds had a classic “ripping” analogue sound that seemed to resonate and awaken a corner of my brain that had been asleep and forgotten about for the better part of a decade.

Each time a new artist took the stage, I was driven to try and find out what gear they were using. Terekith kept me in suspense for his entire set as I couldn’t quite make out the writing on the two boxes he was using. No laptop here. One of my favourites of the night, I could see Tarekith making every musical tweak right in front of me. Two fingers, two buttons – bass is gone. Twisting the filter on a sample, fading between rhythms. One, two, three, four fingers and – BAM! – bassline comes slamming back. Why take my word for it. Watch this. It even has overlays describing what he’s doing. This is half of a two-parter, so if you like it, be sure to check out the second video. Finally, at the end of his performance, I found out he was using an Elektron Machine Drum with a Octatrack sampler by the same company.

Dark Arps easily had the best stage presence, with a futuristic full torso costume (must have been screaming hot in there) that was lined with all kinds of intelligent lighting. It was pretty clear the crowd loved him too. I’m again unsure of how to classify the style, sort of a dark, wobbly techno. Here’s a sample from his previous Sequential Circus performance.

Let’s face it. MUX stole the show. And that opinion was formed before I had any idea he’s one of the key organizers behind Sequential Circus, we had to Circus tent hire Sydney for the show. Also before I realized I had likely seen him play before, at one of the Listening Room shows at the Planetarium. Wow. Throwback.

Even before MUX takes the stage, the night has crept up on me. With each artist, the sound has been boosted a little louder, and a little louder. And it’s good. I’ve come out of hibernation for a few shows in the past couple years, and unless it’s the Commodore, the sound never seems to be that great. Even some of the big shows have been plagued with terrible sound until the headliner comes on. (So tempting to mention some names here…) You’d figure I’d be half deaf at this point, but apparently I can still tell the difference when the sound is good, and what a difference it makes.

At this point I’m also starting to notice that it’s busy, but not so packed I can’t dance. I’m not surrounded by high-heeled hoochie-mommas, there are no whacked out candy ravers sitting in the middle of the dance floor… Holy shit! This party is going off!

MUX intros his set with an answering machine message, recorded at… 3:03. Boom. My knees have a lot of miles on them. They don’t like to bend as much as they used to, but MUX has me jumping in the air with hands up. Music affects us. It doesn’t matter what style you like. Classical, country… whatever it is that hits you, it reaches right inside and does something to you. That corner of my brain that’s been sleeping so long… Well… Just like Quietman said.

Here’s MUX playing live on the Skytrain (like the subway except above ground). Imagine the sound being 1000 times better.

Winding up the night was Vancouver’s own Vincent Parker playing glitched up I don’t know what. Psychedelic trip-hop craziness, outdone only by Vincent’s ability to move his body even more vibrantly than his music.

So as I start walking back through the otherwise quiet industrial streets, I’m reminded of that first fleeting memory of the night. From the moment I turned onto East 1st, it’s like I was back in 1996 – a time I’ve been trying to get back to for at least a decade. This was a fantastic night, in every aspect. I can’t wait till the next one.

Thank you to all the artists and the entire Sequential Circus team.

DJ Interview with DoZeR

I’ve been thinking about adding some DJ profiles to the Trancendance website for some time now, and what better way to get things kicked off than introducing one of the few DJs that always makes it onto my iPod playlist.

DoZeR caught my attention a couple years back when we met, virtually, through Soundcloud. Originally from New Mexico, DoZeR is now based out of Dallas, Texas. I can’t remember who found who first, but we both quickly recognized that our musical tastes where a tight fit. We even did a collaboration mix across the internet (which I had almost forgotten about until just now!).

djsm: How did you get the name DoZeR?

dozer: I got my name because people say I looked like a “bulldozer”. So I changed my dj name to DoZeR.

djsm: What was it before you changed it?

dozer: I used to go by Adrenachrome, like the crazy drug taken in the movie Fear and Loathing in Las Vegas, later on I tried with chemsex, then I used Dozer is much easier to say anyway.

djsm: That’s quite possibly my all-time favourite movie. Wait what is chemsex ? Is this the one used in the United Kingdom to describe intentional sex under the influence of psychoactive drugs, mostly among men who have sex with men right ?What styles do you mix?

dozer: I mostly play progressive house, or anything in the spectrum of trance, from psytrance to tech trance. Usually I throw in some good techno and breaks to spice up my sets.

djsm: What’s your typical DJ setup?

dozer: 2 Technics 1200s, 2 CDJ 1000s, and a Pioneer DJM 800

djsm: Do you have a most memorable DJ moment?

dozer: My most memorable DJ moment is when I went to see DJ Keoki spin in El Paso,Texas in 1998 and he was so wacked out on drugs that he was trainwrecking all over the place. He kept leaving the stage to do whatever (cough*). The sold out crowd booed! I had never seen a DJ go down in flames like that before. After watching Keoki crash and burn behind the decks, I made a promise to myself to never spin for a crowd if I didn’t have a clear mind. It left an impression on me, on the type of DJ I did not want to become.

djsm: Um… I do believe he goes by “Superstar” DJ Keoki ;)

Photo graciously borrowed from MySpace

djsm: So when did you get started DJing?

dozer: I started Dj’ing in 1997. Oh man how time flies by…

djsm: Who was you inspiration back then?

dozer: When I was getting really into trance Paul Oakenfold had set the bar high with his Tranceport album. Then I heard Christopher Lawrence live and I was blown away by his dark raw style of trance. So I attempted to have a good balance between the two styles of progressive and hard trance/psytrance and those two styles of trance have really shaped my unique style. As of now I still follow Christopher Lawrence because I can ALWAYS expect no nonsense underground trance. That dude has never sold out.

djsm: Do you have a favorite old school track?

dozer: My favorite old school track probably by Cranium HF – 16 bit Suicide this song totally captures the underground sound I love so much.

djsm: What about a current fave track?

dozer: My current favorite track is James Allan vs. The Digital Devil & G-dub – Dropzone (Tempo Giusto Remix) WOW!!!

djsm: Just gave that a listen… Nice choice! Have you dabbled in production or remixing at all?

dozer: I’m just learning production and man, there is so much to learn to make a track sound good. It’s really hard for me to dedicate that much time to production. My free time is limited, but mashups are rather easy to do and I have fun making those. I use Logic Pro Studio, Pro Tools 8 and Ableton Live. I also use Audacity to record my mix shows.

djsm: What do you like to do in your free time when you’re not spinning?

dozer: In my spare time I like to hit the gym and keep fit. I’m 34 but I feel 21.

djsm: I probably should have been able to figure that out from the photo! What about a day job? Or does DJing support you full time?

dozer: As a career I am a petroleum landman. I research mineral ownership and lease land for oil and gas drilling. I wish I made a living from DJing!

djsm: Do you have any upcoming shows where we can see you play?

dozer: Yes I have several shows coming up:

Aug 24,2012 – at Dt’s and
Sept 1, 2012 at a Field Party called Buzzfest.
Both events are in Dallas.

I also have 2 shows in Dallas coming up in October at Temptation Afterhours and Club EMERGE a brand new EDM club that opens this weekend and a BIG show in St. Louis this November (I hear that one is going to be huge they did their booking for it this past summer!!

djsm: How do you get your gigs? Do you use a talent agency? Or do you contact the promoters yourself?

dozer: Finding gigs was never hard for me. I am pretty good with people and establish friendships rather easily so finding bookings in the Dallas area has never been too hard. I would like to get an agent and travel more to new cities and clubs, but lately I have been landing bookings in cities I’ve never been to, all because of Soundcloud believe it or not.

djsm: What about for the fans around the world, where can we hear you online?

dozer: You can find me on Facebook at and you can hear several of my mixes on Soundcloud at

djsm: Don’t you have a regular radio show too? Where can we hear that?

dozer: You can catch my bi-monthly radio show at every other Sunday at 9pm central time. Its called Tour de Trance but I am about to change the name to Hanger 18.

Tribute to Ace Ventura Headlining Motion Notion

This week we lay down a huge tribute set to Ace Ventura who will be headlining Motion Notion in Golden BC from July 19 through July 23, 2012. This is sure to be an unparalleled event including many other big-name headliners such as Crystal Method, John 00 Fleming and Perfect Stranger. Don’t miss it. Find out more at

dj Smiley Mike Ace Ventura Tribute Mix

Ace Ventura – Presence (Ectima Remix)
Ace Ventura & Perfect Stranger – Perfect Ace
Ace Ventura – Baby Boom
Lish & Ace Ventura – The Light (Lish Album Edit)
Ace Ventura – The Light (Zen Mechanics Remix)
Liquid Soul – Devotion (Ace Ventura Remix)
Ace Ventura – Genesis
Ace Ventura – MARS (Gaudium Remix)
Ace Ventura – Exposed
Ace Ventura – Connected (Liquid Soul Remix)
Ace Ventura – Connected (Sunstryk Remix)
Ace Ventura – Rebirth
Ace Ventura – Connected (Symphonix Remix)
Timelock & Ace Ventura – 51

dj Smiley Mike Rave Breaks Mix

North Base – Ruffneck
North Base – Fright Night
RadioKillaZ – The Cholo
E-Lab Rat – Ambitious (Electrux Remix)
E-Lab Rat – 3 Bad Rats (Ben Venom Remix)
North Base – Acid Flashback
North Base – Hallow 808